![video overlays with scopebox video overlays with scopebox](https://i.vimeocdn.com/filter/overlay?src0=https:%2F%2Fi.vimeocdn.com%2Fvideo%2F1283855425-e7bce9e2ca091a9fac903bb37e33aafe8d94d35a21929ecde_1280x720&src1=https:%2F%2Ff.vimeocdn.com%2Fimages_v6%2Fshare%2Fplay_icon_overlay.png)
The next option, the Motion range also affects the performances. These two are pretty much self-explanatory. Just under this option, you’ll find a faster/better choice for the Motion estimation mode related to the processing of the retime process on Optical Flow. You can also change this setting on a clip to clip basis in the Inspector tab of the EDIT window. You can set it to Nearest while grading and come back and the end to set it back to Optical Flow. Between the two options, Nearest is the fastest and Optical Flow will usually give the best results while being very processor intensive. In the Frame interpolation section, you have a Retime process drop down menu. In the Editing panel of the Project Setting window, you get important option to improve the realtime performances of your Resolve workstation. You can use the “Force debayer res to higher quality” option in the Render Settings to override the Debayer Quality setting for your final export. When checked, Resolve will use a smoother and faster debayer on playback and a sharper one when on pause. The Debayer quality setting give you the Optimize for playback option.
![video overlays with scopebox video overlays with scopebox](https://image.sesamy.com/store/1/0270/1207/1447/products/4c430e01-6946-4a9b-bdc0-558e8f104340.jpg)
You can come and change it back before exporting or use the “Force sizing to the maximum quality” in the Render settings of the DELIVER page.Īlso in the Image Scaling panel, you’ll find some settings very usefull if you are using RAW footage. The Resize filter section gives you an “Optimize for playback” option that does just that. In the Image Scaling panel you get some performance oriented option too. This could help when viewing shot in the MEDIA, EDIT or DELIVER pages. If you don’t want that, you’ll have to turn off the “ Show all viewers on video output”. In Resolve 10, all the viewer are sent to the broadcast monitor output by default. This setting has no effect on export quality so you can leave it checked throughout the grading and export process. It will hide your cursor, PowerWindows borders and split screens during playback. Just under it, you’ll find the “ Hide UI overlays for optimized playback”.
![video overlays with scopebox video overlays with scopebox](https://cdn.staticcrate.com/stock-hd/effects/footagecrate-scope-overlay-10-prev-full.png)
You can always revert back if you have a doubt about the final rendering of a gradient. 8bit is less processor intensive than 10bit but it may result in banding. You have the choice between 10bit or 8 bit. In the Video Monitoring section of this panel, you’ll find a lot of settings that will give you more horsepower. It could result wavy edges and interlace problems if left unchecked. This is very important, especially if you did some resize on interlaced clips. You can ad it back in the Export setting where you’ll find the same checkbox. You can keep this unchecked to go through your grading session. When checked, Resolve takes a lot more time to process each frames as it applies the grade on each individual field separately. It’s used when working with interlaced media. In the Master project settings panel of the Project Settings window, you’ll find the “ Enable video field processing” checkbox. Some settings will make it easier for you to maintain your realtime while working. Most of the tweaks happen in the Project setting panel. In the same panel as the GPU setting, at the “For Capture and Playback use”, choose NONE, save and relaunch the app. If you need more power but don’t really need you broadcast monitor, like when monitoring an animated PowerWindow for tracking, you can disable it. Video playback can also generate some lag. Of course, you’ll have to quit and relaunch the app for Resolve to consider this change. Since most GPU card you can buy are now pack more power than needed to run the resolve interface, you can now use the remaining cycles to help process the grades and effects. When you go to Preferences/Video i/O and GPU, there is a new box called “Use display GPU for compute”. So, first, if you have a nice multi-GPU setup with a display card and another one dedicated to processing you might want to check this new preference setting. Here are a few tricks that can help you getting a better performances in DaVinci Resolve 10.
#VIDEO OVERLAYS WITH SCOPEBOX FULL#
Working on those, you’re always on the edge of loosing your realtime playback, you can’t approve a show without the sound stuttering and the final export takes forever to write on disk.įortunately, in Resolve 10, Blackmagic Design gave us a lot of ways to optimize playback when we have to work on shots in realtime and other ways to assure we have the full quality on exports. These smaller setups often have their limits.
#VIDEO OVERLAYS WITH SCOPEBOX PRO#
Sometimes on dedicated workstations but also on Macbook Pro and iMac. Most of the broadcast gigs I work on are graded on the Lite version. The lite version, that is actually free, spread its adoption even further. DaVinci Resolve is now used in various ways: for movies, web tv, broadcast and now, live grading.